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INHERENT VICE
THOMAS PYNCHON
UYU 850
UYU 723
UYU 638
PREVENTA
Temática: LITERATURA EN INGLÉS
Editorial: PENGUIN BOOKS
Cantidad de páginas: 384
Peso: 400000g
ISBN: 9780143117568
Encuadernación: Tapa blanda
The New York Times bestseller Named a best book of the year by the Washington Post, Chicago Tribune, San Francisco Chronicle, and Los Angeles Times
The funniest book Pynchon has written. Rolling Stones
Entertainment of a high order. Time Magazine
Part noir, part psychedelic romp, all Thomas Pynchonprivate eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era.
It's been a while since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another one of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble.
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .
The funniest book Pynchon has written. Rolling Stones
Entertainment of a high order. Time Magazine
Part noir, part psychedelic romp, all Thomas Pynchonprivate eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era.
It's been a while since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another one of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble.
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .
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